Mar 292013
 
Gediminas' Tower - Click to enlarge.

Gediminas’ Tower – Click to enlarge.

Yesterday I climbed to the top of this hill and then to the top of Gediminas’ Tower with His Excellency Tomasz Chepaitis. It is also possible to climb to the top of the hill  by taking a funicular which reminded me of Saltburn back in England but Tomasz and I walked (slowly)

Once at the top Tomasz told me of the “Baltic Way” organised by his father in 1989. Two million citizens held hands and formed a line 600KM long starting at this very tower and stretching through Latvia and Estonia.

The first fortifications were built of wood by Duke of the Grand Duchy of Lithuania, Gediminas. Later the first brick castle was completed in 1409 by Grand Duke Vytautas. Some remnants of the old castle have been restored, guided by archeological research.

Gediminas’ Tower is an important state and historic symbol of the city of Vilnius and of Lithuania itself. It is depicted on the national currency, the litas, and is mentioned in numerous Lithuanian patriotic poems and folk songs. The Flag of Lithuania was re-hoisted atop the tower on October 7, 1988, during the independence movement that was finalized by the Act of the Re-Establishment of the State of Lithuania on March 11, 1990.[1] A reconstruction of the Royal Palace of Lithuania was completed in 2009, and is located near the base of the hill upon which Gediminas’ Tower stands.

Mar 292013
 

This is the social media plumber checking that all the connections are made and that there are no leaks.

Mar 172013
 

William Adan Pahl H.E. William Adan Pahl

inaugurated  during the ceremony of Silver Garlic Bullet award, December 2011. Video here: would be added later

 

 

 

Mar 142013
 

Ambassadors –

H.E. Valdas Kavaliauskas and Rasa

 

 Žan-Žakas – Jean-Jacques

 

Dargužiai – how to get there:

 

Bob Brown. The Complete Book of Cheese.

http://www.gutenberg.org/files/14293/14293-h/14293-h.htm

On Cheese by G.K.Chesterton

 

SŪRIŲ PARODA
Gruodžio 30d, sekmadienį, Sūrių turgaus metu

Mano Guru, Vilniaus g. 22/1.
Pirmą kartą Lietuvoje – viskas apie sūrius! 
Pienas, melžimas, formos, fermentai, sūriai ( 10-15 rūšių), pakavimas, literatūra, senovinių pieno indų parodėlė ir, žinoma, sūrininko pasakojima

Mar 112013
 

Ambassador H.E. Nuno Guimarães  RiP +++ (Lourenço Marques, 1960 – Vilnius, 30 de abril de 2013[1]) foi um escritor moçambicano.

Uzhupis Constitution in Portuguese

Em 2010, foi agraciado pelo Presidente da Câmara Municipal de Vilnius, com o diploma de bons serviços pela sua actividade na área cultural.

Nuno Guimarães é também desde 2011 Sócio Honorário do Círculo de Escritores Moçambicanos na Diáspora e seu representante para os Países Bálticos.

Em 2012, foi nomeado Embaixador da República de Uzupis (Vilnius/Lituânia) para o Porto/Portugal e Moçambique.

Também em 2012, em novembro, foi eleito presidente da ACAPL (Associação Cultural e Artistica Portugal-Lituânia, organização criada para promover e divulgar a cultura dos dois países.

Obras

  • encontros, desencontros e …contradições (1998), Edição de Autor
  • rio que corre indiferentes (2009), Editora Temas Originais
  • chei(r)os de palavras (2010), World Art Friends
  • solidão/vienis(um)as (2010), Editora Naujoji Romuva, Vilnius – Bilingue Português/Lituano
  • por eu me lembrar de ti (2011), World Art Friends
  • Voar/Fly/Skristi (2011), Editora Orfeu Bruxelas – livro em 3 línguas Português/Inglês/Lituano (livro em co-autoria com Maria Leal da Costa e João Frazão)
  • por eu me lembrar da Morte (2012), World Art Friends
Mar 072013
 

 

Photo : I've been given the OK to post photos of blind owl Hedwig - a bird we're attempting to rescue from Afghanistan, for some of our troops there who have been caring for him.  Here he is.   CUTE.Ambassador H.E. Barbara Chepaitis

A Writer’s Day:
1) Walk the dogs – DOGS ARE FILLED WITH JOY!
2) Feed dogs, who are FILLED WITH JOY!
3) Call Department of Defense CENTCOM, to find out how to get a blind owl into the US. Yeah. Really. They are not FILLED WITH JOY.
4) E-mail various other Department of Defense facilities about said blind owl.
5) Take 5 minutes to growl about why owl rescue is so COMPLICATED and not filled with joy.
6) Go to store for bread. Cogitate two novels and one screenplay. Wait. Wait. I know the answer to one. I KNOW IT! EPIPHANY. GREAT JOY! HUMANS ARE FILLED WITH JOY!
7) Go home and lose self inside writing.
8) Aaaah. Pure bliss.

 

 

 

 

 

Mar 062013
 

Translation of Uzhupis Constitution into Finnish can be seen here

Ambassador H.E. Juhani Ihanus

About Uzhupis in Finnish

 

professional interests: poetry, psichohistory, booktherapy

Ambassador’s poetry and other books can be purchased here:

Поэма Ю.Ихануса”Каббалист по дороге в Нарву” (пер.на русский Министра иностранных дел Ужуписа) issued by Zarzecze 

http://ruslania.com/books/byauthor/10125/ihanus-yuhani

in Vilnius:

in Mint Vinetu (3 copies left)

in Eureka at University street (2 copies of each left)

Prices are
3 EU for “Каббалист по дороге в Нарву” (+ bookstore fee)
5 EU for the “On theEdge”  (+bookstore fee)  original title “Reunalla”

10 EU for the “A la lisiere” traduit en francais par Sebastien Cagnoli (+bookstore fee)  original title “Reunalla”

 

 

 

Juhani Ihanus

 

Notes on the “Beyond” (Už)

 (This essay has been published in Užantis, 2009, number 2, pp. 27–30.)

Imaginary Mindscapes

Everybody has several identities that may vary in intensity in different contexts and interactions. Among others, we can detect sexual, gender, marital, familial, kinship, national, ethnic, religious, occupational, recreational and virtual identities. Such identities are recognized individually and socially. Parts of them remain hidden and unconscious; parts of them are revealed and conscious. We also identify with different groups (“in-groups”) and exclude other groups (“out-groups”).

By accepting something “beyond” your own identity, group, religion, nationality, city, country or life style, you may become dislocated into some other vista of imagination, into an imaginary community and a mindscape that escapes predetermined modes and formulae. In such a mindscape, the guarded history of “our” security zone may lose its grip and turn out to become unexpected futures of imagination, created by imaginary conversations. They do not need any definite place and time; they can be started at any moment and at any place, between strangers. There are strangers not only outside but also inside ourselves. Monologue can expand to dialogue that can further be widened to polylogue.

Imaginary land-/mindscapes have no permanent identity. They are multirealizable and multimediumizable in different forms, colours, shades, sentences, sounds, mobiles and installations. “Beyond” clear-cut definitions, the realms of chance will open, facing possibilities that cannot be owned or mastered.

Memories are neither permanently stored but storied transiently, cross the borders, over the flow, to be remembered anew, meditated and dreamt by desirous-spiritual human beings.

Knots and dilemmas belong to human existence. Over and over again we have to remind our fellow beings, “Don’t yell at me, and yell at me, from beyond, so that we can hear from each other.” The dialogue begins only when we open our ears. The fear of the different is the beginning of the diagnosis and elimination of the dissentient.

A child learns languages on the basis of palimpsests and babbles. By echoing and mirroring, a child grows toward one’s ever-changing “own” language which is full of the expressions of the others. Identity, self, language and memory are constructed by a heavy dose of echolalias.

What I am about to say as “my truth” is already lost in saying, evaporating in the interference of flows. Meanings never hold their positions in a workshop of playful surplus meaning making. Total control and enforcement are lost in play, in love for others’ words and lively encounters, which include the nearest and dearest, the strangers and aliens and even some daytime demons.

 

“Us” and “Them”

The utopian (no topos) dreams of belonging to some ideal community or communion are developmentally urges that seek the reunification of separated parts, the fusion with all-embracing parental saviour figures. Every ism, also Utopianism, is illusionary and doctrinarian, against reasonable consideration and reality principle. Of course, there are unfruitful fantasies and dreams that ossify and petrify, wearing out to torrid conceptions and isms. Without creative fantasies and dreams, reality would, however, be meagre and unconnected to the well-springs of life.

Užupis is not a restricted place but an open space for inner and external transformations. Užupis is not “ours,” not belonging solely to “us,” to “our” group or pals. It is for the nomadic seekers of changing truths; it is for the wise and for the ship of fools. Its mother tongue is polylogical and multilingual, constituted on the edge of emergence of joy, surprise, and terrific apparitions.

Not even the “beyond” will save “us.” However, we can save our transient selves by going on living, not like predetermined and manipulated compulsively buying supermarket consumer zombies, but by expressing, as well and carefully as we can, our loves, hopes, fears and anxieties in relation to our nearest and for those who are “beyond” our horizons and perspectives of understanding.

A widening of identifications to ever-larger groupings can be detected in human history, in addition to identifications to “individual life styles.” The nation state has been tried to change gradually into supranational organizations. This move had its start after World War I with the League of Nations, was followed after World War II by the United Nations, and is strongly present in our century in the European Union, in the military-political international coalitions in the “war against terrorism,” and in the global business, stock market and environmental regulatory circuits.

As an evolutionary coping strategy against the existential problems of helplessness, separation, estrangement, loneliness and loss, the formation of “in-grouping” is aimed at curing such problems, leading at the same time to splits (“us” – “them,” the “winners” – the “losers,” the “good” ones – the “bad” ones) and conflicts that are enacted in enemy chase, warfare and battles over natural resources.

Nationalist and patriotic in-groups raise the own goodness above all others, as a cult of anti-alienism, neglecting humanitarianism and tolerance and denying the ambiguity of human experience. Nationalism may force its cultish members to cruelty against and the abuse of others. As Erich Fromm, in The Sane Society has stated, “Just as love for one individual which excludes the love for others is not love, love for one’s country which is not part of one’s love for humanity is not love, but idolatrous worship.”

     EU and UŽ

When multiple national identities, memories and anticipations interact with each other, as they do in Užupis, for example, there will be interferences and transferences, producing multi-, inter- and crossnational subjectivities and positionalities, both reflexive and relational selves. The multiple cultural scene enfolds in transdisciplinary and transart experiential and experimental explorations.

Mono- and normopathic EU sanctions and regulations will not nourish universal and global otherhood which acts as the carrier of multiple meanings and imaginations. The EU will not be life-affirmative if it does not accept any disorder, chaos or deviance from the norms, standards and restrictions.

There have to be UŽ-like pockets of euphoria (carrying over of joy) and lazy dysphoria (low moods relaxing of achievement obligations) in the EU. Without them there is no fresh air for breathing, no transitional phenomena.

The dynamic formation, deformation and reformation entail fluctuations between rigidly uniform and richly varying states. This dynamics has its dark undertones in loss and threats, but also its exciting challenges hinting at flexible co-operation and fluid co-constructive projects.

History is not something external just happening to people. History can be interpreted as a stage or a scene of variations of personal and collective desires, fears, fantasies and dreams. Global world citizens cannot understand their fluid identities and enactments without sensitizing themselves to multiple coexisting identities, realities and enjoyments.

 

Transitional Spaces

The multiverse consists of evolving and revolving stories, the networking of diversified perspectives, aimed at opening up, negotiating and resolving conflicts between loving-hating selves living together with differing historical and futural conceptions and consciousnesses. Stories like identities are never total or perfect. Potential narratives attest to changing times and transitional spaces. We have to let go our cherished final words, key symbols, frozen rituals and sanctified myths.

By accepting multidirectionality, there is no return, no revival, and no reunification. While transforming we can refuse being treated as objectified and calculable blocks in a closed matrix and demand our right to the whimsical and empathic meetings of unmanageable and not-totally-knowing minds. There are always gaps in the universal knowledge, as there are more dimensions and spaces than we can dream of.

The French writer Joseph Joubert (who never published a book during his lifetime) wrote in 1786 to his Notebook, “Every sound in music must have an echo; every figure must have a sky in painting; and when we sing with thoughts and paint with words, every sentence and each word in our writings must also have its horizon and its echo.” For Joubert (Notebook, 1802), “sad science” was a master “that teaches blind men to speak of light and colours and that persuades them they can even make judgments about these things.”

This is not meant to be a motto for anything, not a splitting plea for a “joyful science” or “rebellious art”. It is just an introduction to saying otherwise, to thinking against the official truths, to painting other skies, mixing different horizons and hearing seductive voices.

 

 

 

 

Mar 032013
 

Ambassador H.E. Alexia Guggemos

 

Musee du Sourire  http://www.museedusourire.com/

 

FB page of the embassy http://www.facebook.com/pages/Mus%C3%A9e-du-sourire/407753070327?notif_t=fbpage_fan_invite

Всемирный день улыбки — международный неофициальный праздник улыбок. Праздник отмечается каждый год в первую пятницу октября.

Существованием этого праздника планета Земля обязана талантливому художнику из Соединённых Штатов Америки Харви Бэллу (Harvey Ball). Критики художника практически не замечали и его имя было мало кому известно. Возможно, так бы и было до сих пор, если бы в 1963 году к нему не обратились представители американской страховой фирмы «State Mutual Life Assurance Company of America» с просьбой придумать какой-либо запоминающийся логотип — визитную карточку компании.

Художник практически сразу взял и предложил заказчикам свою разработку, за которую и получил от заказчиков 50 долларов. То, что предложил Харви Бэлл представителям компании «State Mutual Life Assurance Company of America» было тем, что нынче практически любой пользователь интернета безошибочно назовёт смайликом. Компания изготовила бейджи с логотипом и раздала их своим сотрудникам. Успех был таким грандиозным, что уже спустя несколько месяцев улыбающиеся рожицы красовались не только на визитках и бейджах компании, а буквально повсюду начиная от спичечных коробков. в Соединённых Штатах даже была выпущена почтовая марка со смайликом.

Бэлл был счастлив, как может быть счастлив творческий человек, который осознал, что его произведения надолго переживут его самого. В одном из интервью, художник сказал:

«Никогда еще в истории человечества и искусства не было ни одной работы, которая бы, распространившись столь широко, приносила столько счастья, радости и удовольствия. Не было ничего, сделанного так просто, но ставшего понятным всем.»[1]

А в 1999 году, по инициативе, теперь уже бессмертного художника, впервые был отпразднован «Всемирный день улыбки». Энтузиаст праздника предполагал, этот день непременно должен быть посвящен хорошему настроению.